Thoughts:
Let the language of painting and sculpture intermingle and
create a functional hybrid that achieves subtlety (unexpected beauty) via maximum
optical tension. I will continue
to construct contradictory spaces by conflating layers of illusory and
physical depth. There will be more
architectural space activated by 3D forms. This will add more dimensions to the process of surveying
the surface from an aerial perspective.
I am a child playing with blocks.
Questions:
1.
How is this indicative of relativism within
fluid spatiotemporal paradigms?
Does this have anything to do with cyberspace theory? Do I need to formulate a rubrical
syntax for the geometric structure, or will that get lost in the process and ultimately
become confused with formalism?
2.
How will I achieve mutable boundaries within a
seemingly rigid space? Distortion?
3.
Are these maps, landscapes or interiors?
4.
What if the fractal wasn’t square?
5.
Draw grid on masonite, then construct 3D
forms. Bend the grid.
6.
How the hell am I going to paint under the
masonite forms?
Which ones do y'all like? Pick a number and comment! :)
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