Tuesday, November 12, 2013

Woodblock Gestures

Thoughts:

Let the language of painting and sculpture intermingle and create a functional hybrid that achieves subtlety (unexpected beauty) via maximum optical tension.  I will continue to construct contradictory spaces by conflating layers of illusory and physical depth.  There will be more architectural space activated by 3D forms.  This will add more dimensions to the process of surveying the surface from an aerial perspective.   

I am a child playing with blocks.

Questions:

1.     How is this indicative of relativism within fluid spatiotemporal paradigms?  Does this have anything to do with cyberspace theory?  Do I need to formulate a rubrical syntax for the geometric structure, or will that get lost in the process and ultimately become confused with formalism?
2.     How will I achieve mutable boundaries within a seemingly rigid space?  Distortion?
3.     Are these maps, landscapes or interiors?
4.     What if the fractal wasn’t square?
5.     Draw grid on masonite, then construct 3D forms.  Bend the grid. 
6.     How the hell am I going to paint under the masonite forms? 


Which ones do y'all like?  Pick a number and comment! :) 

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